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Music And The Horror Film Is Philosophy

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... The special effects in the film add to the horror of the film, and especially to the uneasiness the viewer experiences. of horror and noir is sheer miscegenation. The horror film thrives on creating cross-breeding of two genres, the film noir and the horror film (Joel's only "What Becomes of Things on Film?", Philosophy and Literature 2:2, 249-57, reprinted in Themes Out of School.1985 one of the most renowned and emulated directors of horror and suspense film. Many of his films are still considered ...



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Sources list for MUSIC AND THE HORROR FILM IS PHILOSOPHY:

Sharrett, Christopher. "The Horror Film in Neoconservative Culture." Journal of Popular Film and Television 21.3 (1993): 100-110.
"Terminator 3: Rise of the Machines"

Waller, Gregory. American Horrors: Essays on the Modern American Horror Film. Chicago: University of Illinois Press, 1987.
Scary Movies

Maxford, Howard, The A-Z of Horror Films, Indiana Univ Press, ID, 2/97
Supernatural Films

Dyson, Jeremy, Bright Darkness: The Lost Art of the Supernatural Horror Film, Cassell Academic Press, NJ, 7/98
Supernatural Films

Anonymous movie review: "Bram Stoker's Dracula, 1992" [1]www.yahoo.com Everson, William K. : "Classics of the Horror Film" The Citadel Press, 1974 Griffith, Richard and Arthur Mayer: "The Movies" Bonanza Books, 1957
Dracula: Stoker, Browning and Coppola

 

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